Edmund
Wilson was a literary one-man band: literary critic (The Shores of Light,
Axel's Castle), historian (To the Finland Station), memoirist (A
Piece of My Mind), social commentator (The Twenties/ Thirties/ Forties/ Fifties/Sixties)
and novelist (Memoirs of Hecate County). His activities as polymath of
letters were made possible by his privileged upbringing–his father was the
attorney-general of New Jersey–and, later, his connections throughout the New
York literary scene. It's hardly an exaggeration to say that, for awhile in the
Forties and Fifties, he (along with his third wife, Mary McCarthy) was
the New York literary scene. His vices were the standard literary ones of
womanizing and drinking, along with a generous helping of egotism. His virtues
were a keen eye for literary originality and the courage and integrity to work
tirelessly on behalf of unknown writers. Many such writers had him to thank for
that, and owed him their careers; Vladimir Nabokov was one among many (Hemingway,
Faulkner, and Dos Passos were others). In his early years of exile, Nabokov
would probably have been nowhere without Wilson's support. This unknown
Russian is a genius, said Wilson to his colleagues at The New Yorker and
elsewhere; publish him! And they did. Wilson and Nabokov became the best
of friends, and intellectual peers; they addressed each other as
"Bunny" and "Volodya" in their correspondence, much of
which was conducted in Russian, which Wilson spoke well, if not fluently. Then
came Lolita–"Hurricane Lolita," as Nabokov later called it–and
Wilson publicly disapproved. Their friendship developed cracks. But the last
straw was Nabokov's translation of Pushkin's Eugene Onegin; Wilson found
it overly literal, and said so as loudly as he said everything. VN, who
objected to an American commenting on his Russian, took this poorly, and they
fell out. Later, however, Vladimir's son Dmitri played the part of his father
in Dear Bunny, Dear Volodya, a theatrical dramatization of the
Nabokov-Wilson friendship that highlighted the warmth and respect that Wilson
showed for the unknown Russian immigrant in the early years.
Wilson was rich and influential from his youth, and
remained so, despite some troubles with the IRS (he neglected to pay taxes for
10 years). He had, therefore, no need to beg and scrape and engage in
self-promotion, in the manner of your average freelancing writer, and went so
far as to have the following text printed and distributed on business cards:
Edmund Wilson regrets
that it is impossible for him to: Read manuscripts, Write articles or books to
order, Make statements for publicity purposes, Do any kind of editorial work,
Judge literary contests, Give interviews, Conduct educational courses, Deliver
lectures, Give talks or make speeches, Take part in writers’ congresses, Answer
questionnaires, Contribute or take part in symposiums or "panels" of
any kind, Contribute manuscripts for sale, Donate copies of his books to
Libraries, Autograph books for strangers, Allow his name to be used on
letterheads, Supply personal information about himself, Supply photographs of
himself, Supply opinions on literary or other subjects.