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        <title>the-snug</title>
        <description>the-snug</description>
        <link>http://www.rogerboylan.com/the-snug.php</link>
        <lastBuildDate>Fri, 18 May 2012 21:36:03 +0100</lastBuildDate>
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        <item>
            <title>Sam's Birthday</title>
            <link>http://www.rogerboylan.com/the-snug/sam-s-birthday</link>
            <description>&lt;span class=&quot;yui-tag-span yui-tag&quot; tag=&quot;span&quot; style=&quot;color: rgb(255, 255, 255); &quot;&gt;Birth was the death of him, but it took 83 years. Now he's 106 years young, and getting better all the time.&lt;/span&gt;</description>
            <pubDate>Fri, 27 Apr 2012 18:21:21 +0100</pubDate>
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        <item>
            <title>And The Ship Sails On</title>
            <link>http://www.rogerboylan.com/the-snug/and-the-ship-sails-on</link>
            <description>&lt;span class=&quot;yui-tag-span yui-tag&quot; tag=&quot;span&quot; style=&quot;color: rgb(255, 255, 255); &quot;&gt;Yes, one hundred years ago precisely the great ship departed on her maiden voyage. Here she is seen in the last photograph ever taken of her as she heads from Queenstown out to sea and into legend.&amp;nbsp;&lt;br&gt;&lt;br&gt;&lt;span class=&quot;yui-non&quot;&gt;&amp;nbsp;&lt;/span&gt;Farewell, Ireland. Farewell, Europe. Farewell, world.&amp;nbsp;&lt;/span&gt;</description>
            <pubDate>Wed, 11 Apr 2012 14:12:07 +0100</pubDate>
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            <title>Barnes Looks Back</title>
            <link>http://www.rogerboylan.com/the-snug/barnes-looks-back</link>
            <description>&lt;p&gt;&lt;span class=&quot;yui-tag-span yui-tag&quot; tag=&quot;span&quot; style=&quot;color: rgb(255, 255, 255); &quot;&gt;“In those days, we imagined ourselves as being kept in some kind of holding 
pen, waiting to be released into our lives. And when that moment came, our 
lives—and time itself—would speed up. How were we to know that our lives had in 
any case begun, that some advantage had already been gained, some damage already 
inflicted? Also, that our release would only be into a larger holding pen, whose 
boundaries would be at first undiscernible.” &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class=&quot;yui-tag-span yui-tag&quot; tag=&quot;span&quot; style=&quot;color: rgb(255, 255, 255); &quot;&gt;This and other passages in Julian Barnes’s new novel &lt;em&gt;The Sense of an 
Ending&lt;/em&gt;, which won the 2011 Man Booker Prize, evoke adolescence as I (and, 
I’m sure, you) remember it. But how accurate are our memories? &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class=&quot;yui-tag-span yui-tag&quot; tag=&quot;span&quot; style=&quot;color: rgb(255, 255, 255); &quot;&gt;Not very, says Barnes, who is something of a specialist in the subject. [Read more &lt;a href=&quot;http://www.rogerboylan.com/http://www.bostonreview.net/BR37.2/roger_boylan_julian_barnes_sense_of_ending.php&quot; class=&quot;&quot;&gt;here&lt;/a&gt;.]&lt;/span&gt;&lt;/p&gt;</description>
            <pubDate>Mon, 09 Apr 2012 16:32:35 +0100</pubDate>
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        <item>
            <title>Bon Anniversaire, Cher Maitre de la Tristesse</title>
            <link>http://www.rogerboylan.com/the-snug/bon-anniversaire-cher-maitre-de-la-tristesse</link>
            <description>&lt;span class=&quot;yui-tag-span yui-tag&quot; style=&quot;color: rgb(255, 255, 255);&quot;&gt;The
 gloomy chap in the photo is Frederic Chopin. What with the TB that was 
soon to kill him and the collapse of his affair with George Sand (aka 
Aurore Dupin), he had reason enough to look bummed. Anyway, it's his 
202nd birthday, or near enough (Feb. 22nd). Honor the memory of the 
greatest composer for the piano by listening to one of his greatest 
interpreters, &lt;/span&gt;&lt;a href=&quot;http://www.youtube.com/watch?v=0tk4HPtmtjE&quot; title=&quot;&quot; class=&quot;&quot;&gt;&lt;span class=&quot;yui-tag-span yui-tag&quot; style=&quot;color: rgb(255, 255, 255);&quot;&gt;Martha Argerich&lt;/span&gt;&lt;/a&gt;&lt;span class=&quot;yui-tag-span yui-tag&quot; style=&quot;color: rgb(255, 255, 255);&quot;&gt;, play the sublime Andante Spianato. Poor Chopin. Happy birthday anyway, maestro&lt;/span&gt;</description>
            <pubDate>Thu, 01 Mar 2012 20:30:33 +0100</pubDate>
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        <item>
            <title>Ave Atque Vale: Dmitri Nabokov, 1934-2012</title>
            <link>http://www.rogerboylan.com/the-snug/ave-atque-vale-dmitri-nabokov-1934-2012</link>
            <description>&lt;font size=&quot;4&quot;&gt;&lt;span style=&quot;color: rgb(255, 255, 255); font-family: Comic Sans MS,Comic Sans;&quot;&gt;Dimitri Nabokov, pictured above, has died, aged 77. I corresponded with him 
about his father's work--he was especially generous in his praise of an 
essay of mine on that topic--and about the cars in his life. There were 
many. He was an expert racing driver and an aficionado of Italian iron, 
especially that produced under the sign of the rearing horse, in 
Maranello. I wrote an article about his automotive career for 
Autosavant, using generic photos of the cars referred to. He, having 
read it, promptly sent me an entire album of photos of Ferraris and MGs 
and Dodge Vipers and one splendid Bizzarini. Later, as a Christmas present, he sent me a copy of his father's controversial posthumous semi-novel &quot;The Original of Laura.&quot;
 In thanking him, I expressed the hope that I might call on&amp;nbsp; him on my next
 visit to Switzerland. The option remained open, until yesterday. RIP, 
Dmitri. &lt;/span&gt;&lt;/font&gt;</description>
            <pubDate>Fri, 24 Feb 2012 20:28:07 +0100</pubDate>
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        <item>
            <title>Barney Rosset, 1922-2012</title>
            <link>http://www.rogerboylan.com/the-snug/barney-rosset-1922-2012</link>
            <description>&lt;p style=&quot;font-family: yui-tmp;&quot;&gt;Barney 
Rosset, one-of-a-kind editor, publisher, and free-speech crusader, is dead at 89. He led the charge against obscurantism and puritanism in the &lt;i style=&quot;color: rgb(255, 255, 255);&quot;&gt;Lady Chatterley's Lover &lt;/i&gt;and &lt;i style=&quot;color: rgb(255, 255, 255);&quot;&gt;Tropic of Cancer&lt;/i&gt; court cases, and was the first to publish Samuel Beckett, Jean-Paul Sartre, and Eugene Ionesco in this country. Without him, modern literature would have been very different. It was a 
signal honor for me to have a small part in his publishing history, via my recent submission to &lt;i&gt;The Evergreen Review &lt;/i&gt;and my novel &lt;i&gt;The Great 
Pint&lt;/i&gt;-&lt;i&gt;Pulling Olympiad&lt;/i&gt;, published by the great house he founded, 
Grove Press--since, alas, sold to others, but still bearing the mark of his 
genius. &lt;br&gt;&lt;/p&gt;
&lt;p style=&quot;font-family: yui-tmp;&quot;&gt;If there's justice in heaven, he's up there in some celestial version of his favorite Parisian hangout, La 
Closerie des Lilas, downing martinis and holding forth with the shades of Beckett and Henry Miller and Albert Camus and all the 
other great souls he cherished and, through his unremitting efforts,&amp;nbsp;gave voice 
to in this country. RIP, Barney. &lt;/p&gt;</description>
            <pubDate>Thu, 23 Feb 2012 16:24:14 +0100</pubDate>
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        <item>
            <title>Jetzt, ein Bisschen auf Englisch</title>
            <link>http://www.rogerboylan.com/the-snug/jetzt-ein-bisschen-auf-englisch</link>
            <description>&lt;span style=&quot;color: rgb(255, 255, 255);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;It's been nearly six years since the third novel of my Killoyle trilogy was published in German, as &lt;i&gt;Killoyle Wein und Kaese&lt;/i&gt; (&lt;i&gt;Killoyle Wine and Cheese&lt;/i&gt;) by Rogner und Bernhard Verlag, then of Hamburg, now of Berlin. Then, in 2007, the rights were sold to a Swiss publisher, Kein und Aber, who issued the trilogy in a boxed set, also in German. Meanwhile, it aroused no interest in the English-speaking world--until now. The legendary editor Barney Rosset, founder of Grove Press and Evergreen Review, who introduced the work of Samuel Beckett, Jean-Paul Sartre, William Burroughs, and others to an American readership, has published the first three chapters of my modest yet fabulous opus in the latest issue of his revived flagship review, Evergreen. It's a special honor for me as an admirer of Beckett, having already been published by Grove Press, which, under Barney's aegis,published all of the Great Sam's works.&lt;/span&gt;&lt;br&gt;</description>
            <pubDate>Mon, 20 Feb 2012 21:15:55 +0100</pubDate>
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        <item>
            <title>Happy 256th to WAM</title>
            <link>http://www.rogerboylan.com/the-snug/happy-256th-to-wam</link>
            <description>&lt;span style=&quot;color: rgb(255, 255, 255);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;Happy 256th birthday to that great billiards player, imbiber, letter-writer, ladies' man and (oh yes) pretty good composer Wolfgang Amadeus Mozart, known as WAM to his friends and admirers. I've been tending to ignore this blog, and to let commemorative occasions pass uncommemorated, but Mozart has given me so much pleasure, and will continue to do so to the end of my days--and will do so to generations yet unborn--that I had to say &quot;Herzlichen Gluckwuensch, Maestro.&quot;&lt;/span&gt; &lt;br&gt;</description>
            <pubDate>Fri, 27 Jan 2012 16:03:18 +0100</pubDate>
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        <item>
            <title>Drink and Time in Old England</title>
            <link>http://www.rogerboylan.com/the-snug/drink-and-time-in-old-england</link>
            <description>&lt;span style=&quot;color: rgb(255, 255, 255);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;Of all the drinking cultures I'm familiar with, and they are legion, England's is the booziest, not in the sense of actual amounts consumed but as a cultural phenomenon, one that celebrates intoxication, one--as an article in a recent issue of &lt;/span&gt;&lt;i style=&quot;color: rgb(255, 255, 255);&quot;&gt;The Economist&lt;/i&gt;&lt;span style=&quot;color: rgb(255, 255, 255);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt; points out--refined and exalted by the upper, not working, classes. &quot;Do you drink?&quot; Jennie Jerome's American father asked her upper-class English suitor, Lord Randolph Churchill. &quot;Of course I drink, man,&quot; snapped Lord Randolph. &quot;I'm a gentleman.&quot; &lt;/span&gt;&lt;span style=&quot;color: rgb(255, 255, 255);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;From &lt;/span&gt;&lt;i style=&quot;color: rgb(255, 255, 255);&quot;&gt;The Economist&lt;/i&gt;&lt;span style=&quot;color: rgb(255, 255, 255);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;: &quot;Outside London, ritualized heavy drinking arrived not just in pamphlet form but also in the shape of returning sons as men of influence. One story . . . involves a cleric and two lawyers in Yorkshire. Sitting in an alehouse, the trio 'began to be merry' in a manner that started with a faux-Latin competition and ended with the cleric's penis hanging out of his trousers while one of the lawyers burned it with his pipe.&quot; Ouch. What drunken semblance-of-rational-though provoked that, I wonder? An urge for mortification of the flesh? Sudden self-disgust? Conflict between church and state? Any of the foregoing will do, washed down with several pints of Yorkshire's best. &lt;/span&gt;&lt;br style=&quot;font-family: yui-tmp;&quot;&gt;&lt;br&gt;</description>
            <pubDate>Mon, 23 Jan 2012 15:59:07 +0100</pubDate>
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        <item>
            <title>MacNeice's Dublin (and mine)</title>
            <link>http://www.rogerboylan.com/the-snug/macneice-s-dublin-and-mine-</link>
            <description>
&lt;div style=&quot;font-family: yui-tmp;&quot; class=&quot;poembox&quot;&gt;&lt;b style=&quot;color: rgb(255, 255, 255);&quot;&gt;Dublin&lt;/b&gt; &lt;pre class=&quot;poembox&quot;&gt; Grey brick upon brick,&lt;br&gt; Declamatory bronze&lt;br&gt; On sombre pedestals -&lt;br&gt; O'Connell, Grattan, Moore -&lt;br&gt; And the brewery tugs and the swans&lt;br&gt; On the balustraded stream&lt;br&gt; And the bare bones of a fanlight&lt;br&gt; Over a hungry door&lt;br&gt; And the air soft on the cheek&lt;br&gt; And porter running from the taps&lt;br&gt; With a head of yellow cream&lt;br&gt; And Nelson on his pillar&lt;br&gt; Watching his world collapse.&lt;br&gt;&lt;br&gt; This never was my town,&lt;br&gt; I was not born or bred&lt;br&gt; Nor schooled here and she will not&lt;br&gt; Have me alive or dead&lt;br&gt; But yet she holds my mind&lt;br&gt; With her seedy elegance,&lt;br&gt; With her gentle veils of rain&lt;br&gt; And all her ghosts that walk&lt;br&gt; And all that hide behind&lt;br&gt; Her Georgian facades -&lt;br&gt; The catcalls and the pain,&lt;br&gt; The glamour of her squalor,&lt;br&gt; The bravado of her talk.&lt;br&gt;&lt;br&gt; The lights jig in the river&lt;br&gt; With a concertina movement&lt;br&gt; And the sun comes up in the morning&lt;br&gt; Like barley-sugar on the water&lt;br&gt; And the mist on the Wicklow hills&lt;br&gt; Is close, as close&lt;br&gt; As the peasantry were to the landlord,&lt;br&gt; As the Irish to the Anglo-Irish,&lt;br&gt; As the killer is close one moment&lt;br&gt; To the man he kills,&lt;br&gt; Or as the moment itself&lt;br&gt; Is close to the next moment.&lt;br&gt;&lt;br&gt; She is not an Irish town&lt;br&gt; And she is not English,&lt;br&gt; Historic with guns and vermin&lt;br&gt; And the cold renown&lt;br&gt; Of a fragment of Church latin,&lt;br&gt; Of an oratorical phrase.&lt;br&gt; But oh the days are soft,&lt;br&gt; Soft enough to forget&lt;br&gt; The lesson better learnt,&lt;br&gt; The bullet on the wet&lt;br&gt; Streets, the crooked deal,&lt;br&gt; The steel behind the laugh,&lt;br&gt; The Four Courts burnt.&lt;br&gt;&lt;br&gt; Fort of the Dane,&lt;br&gt; Garrison of the Saxon,&lt;br&gt; Augustan capital&lt;br&gt; Of a Gaelic nation,&lt;br&gt; Appropriating all&lt;br&gt; The alien brought,&lt;br&gt; You give me time for thought&lt;br&gt; And by a juggler's trick&lt;br&gt; You poise the toppling hour -&lt;br&gt; O greyness run to flower,&lt;br&gt; Grey stone, grey water,&lt;br&gt; And brick upon grey brick.&lt;br&gt;&lt;/pre&gt;
&lt;center&gt;-- &lt;a class=&quot;underlined&quot; href=&quot;/search/label/Poet%3A%20Louis%20MacNeice&quot;&gt;Louis 
MacNeice&lt;/a&gt;&lt;/center&gt;&lt;/div&gt;</description>
            <pubDate>Mon, 09 Jan 2012 21:07:20 +0100</pubDate>
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